Released: December 5, 2000

Songwriter: Bruce Springsteen

Producer: Rick Rubin Brendan O’Brien

[Verse 1]
Man walks along the railroad track
He's goin' some place and there's no turnin' back
The Highway Patrol chopper comin' up over the ridge
Man sleeps by a campfire under the bridge
The shelter line stretchin' around the corner
Welcome to the New World Order
Families sleepin' in their cars out in the Southwest
No job, no home, no peace, no rest, no rest

[Chorus]
And the highway is alive tonight
Nobody's foolin' nobody as to where it goes
I'm sitting down here in a campfire light
Searchin' for the ghost of Tom Joad

[Verse 2]
He pulls his prayer book out of a sleepin' bag
The preacher lights up a bud and takes a drag
He's waitin' for the time when the "last shall be first, and the first shall be last"
In a cardboard box 'neath the underpass
With a one-way ticket to the promised land
With a hole in your belly and a gun in your hand
Lookin' for a pillow of solid rock
Bathin' in the city's aqueducts

[Chorus]
And the highway is alive tonight
Nobody's foolin' nobody as to where it goes
I'm sittin' down here in the campfire light
With the ghost of old Tom Joad

[Verse]
Now Tom said
"Ma, whenever ya see a cop beatin' a guy
Wherever a hungry newborn baby cries
Wherever there's a fight against blood and hatred in the air
Look for me, Ma, I'll be there
Wherever somebody's strugglin' for a place to stand
For a decent job or a helpin' hand
Wherever somebody is strugglin' to be free
Look in their eyes, Ma, you'll see me
You'll see me
You'll see me
You'll see me
You'll see me
You'll see me
You'll see me
You'll see me
You'll see me

[Chorus]
And the highway is alive tonight
Nobody's foolin' nobody as to where it goes
I'm sittin' down here in the campfire light
With the ghost of Tom Joad

Rage Against the Machine

Formed in Los Angeles in 1991, Rage Against the Machine are critically acclaimed for their aggressive, politically charged rhymes. During the 1990s, they found huge success with their politicised image, broad array of influences and punk attitudes. The band represents an important intersection in 90s culture – between the musical expression of urban black rebels (hip-hop, funk) and their white counterpart (metal, punk rock).

Accompanying a musical fusion of punk, hip-hop and metal, the lyricism of frontman Zack de la Rocha provides a fiery critique of corporate America, government oppression, and cultural imperialism. Both de la Rocha and guitarist Tom Morello were born into activist families, influential to shaping the band’s political views and activism. De la Rocha’s father devoted his artistic work to Chicano causes, and Morello was raised by a civil rights activist mother and a Kenyan rebel-turned-diplomat father.

Rage Against the Machine view their music as a vehicle for social activism, and de la Rocha has explained this by