Released: February 20, 2019

Songwriter: Hiroshi Nojima

Producer: JJ Evans Ashley Alisha 신혁 (Hyuk Shin) Kyum Lyk

[Verse 1]
まだまだ風が冷たいわ
あの日の恋がチクチクと
カラフルなコート恋人たちの
Sweet love, so sweet love
街のなかで

[Pre-Chorus]
ユラユラとハラハラと
切なくなくないこのキモチ
でもでもでもちょっとだけでも
そうこの空を越えて

[Chorus]
Sayonara キラキラずっとずっと
ゴメンねそんなこと言わないで
あなたに会いたくって
あなたに会いたくって
Sayonara ワガママでも I love you

[Verse 2]
時計の針をねぇ巻き戻せたら (Whoa)
伝えきれないこの想い (Whoa)
雨降る Lonely night (Lonely night)
涙は Don't know why (Don’t know why, oh)
いつだっていつだって
抱きしめてくれたのに

[Chorus]
Sayonara 笑ってもっともっと
キュートな笑い声聞きたいよ
雨上がりを待って星が見たくなって
Sayonara 今さらでも I need you

[Bridge]
(Ah-ah)
あなたの好きな服で
お揃いのリングして
Would you come back?
Would you come back?
Would you come back?
あの日の涙は
きっとね忘れないよ

[Chorus]
Sayonara キラキラずっとずっと
ゴメンねそんなこと言わないで
あなたに会いたくって
あなたに会いたくって
Sayonara ワガママでも I love you

[Outro]
Give me, give me love
Give me, give me, give me love
Give me, give me love
Sayonara, give me love
アンバランスな恋アンバランスな距離
Give me, give me love
Give me, give me, give me love
Give me, give me love
Sayonara, give me love
あなたに会いたくって
Give me loveでも Bye bye

Red Velvet

레드벨벳 (Red Velvet) is a South Korean girl group formed by S.M. Entertainment. They debuted on August 1, 2014, with the digital single “HAPPINESS”. The group is composed of 5 Irene, Seulgi, Wendy, Joy, and Yeri. The group has released a total of 7 albums and EPs.

Red Velvet is known for their unique dual concept which new among K-pop girl groups. These two concepts are dubbed their ‘Red’ and ‘Velvet’ sides The ‘Red’ half is their brighter and bubblier side incorporating dance-pop and bubblegum pop genres. While their ‘Velvet’ image is their softer, more mature and elegant concept influenced by R&B ballad styles.

The Red, Rookie and The Red Summer topped the Billboard World Albums, and with the release of their second studio album Perfect Velvet, they became the K-pop girl group with the most number-one albums on the chart and tied for most number-one albums among all K-pop acts. In 2018, Red Velvet made a successful Japanese debut with their first Japanese EP, #Cookie Jar which debuted at #2 on the Oricon’s daily chart.