Songwriter: Allen Toussaint

Producer: Robert Palmer

Night people, hanging out
Looking at each other waiting for something to happen
Night people, hanging out
Looking at each other
Waiting for soemthing to happen

While the day world is sleeping
Night people are creeping, hanging out
Looking at each other
When the day world stops moving
Night people start grooving, hanging out
Looking at each other
When the day bees stop buzzing
Night people start coming, hanging out
Waiting for something to happen
Night people , hanging out
Looking at each other
Waiting for something to happen

You don't get one thing
Without the other
We got to keep the world alive
If everybody went to sleep
At the same time
How'd we keep the world alive

In a word we got the night people
Night people, hanging out
Looking at each other
Waiting for something to happen

Got to see who is with you
Who is with me, who is with who, we're hanging out
Looking at each other
Got to see whatcha wearing, whatcha got
Whatcha sharing , hanging out
Waiting for something to happen

As the day world goes by
Night people doing fine, hanging out
Looking at each other
When the day world starts humping
Night people start pumping, hanging out
Waiting for something to happen
Night people hanging out
Looking at each other
Waiting for soemthing to happen
Night people, hanging out
Looking at each other
Waiting for something to happen
Night people grooving , hanging out
Night people grooving
Night people grooving
Night people grooving
Night people grooving
Night people grooving

Robert Palmer

Robert Allen Palmer (19 January 1949 – 26 September 2003) was an English singer-songwriter[1] and musician. He was known for his distinctive soulful voice, eclectic mix of musical styles on his albums, combining soul, jazz, rock, pop, reggae and blues and sartorial acumen. He found success both in his solo career and with the Power Station, and had Top 10 songs in both the UK and the US.

His iconic music videos directed by British fashion photographer Terence Donovan for the hits “Addicted to Love” and “Simply Irresistible” featured identically dressed dancing women with pale faces, dark eye makeup and bright red lipstick, which resembled the women in the art of Patrick Nagel, an artist popular in the 1980s. Palmer’s involvement in the music industry commenced in the 1960s, covered four decades and included a spell with Vinegar Joe.

(From