Released: June 13, 2000

Songwriter: Sinéad O’Connor

Producer: Adrian Sherwood Skip McDonald

I have a universe inside me
Where I can go and spirit guides me
There I can ask oh any question
I get the answers if I listen

I have a healing room inside me
The loving healers there they feed me
They make me happy with their laughter
They kiss and tell me I'm their daughter
I'm their daughter

They say

You have a little voice inside you
It doesn't matter who you think you may be
You're not free if you don't know me
See I'm not the lie that lives outside you
And it doesn't matter what
You think you believe
You're not free if you don't know me
If you don't know me
See I am the universe inside you
You come to me and I will guide you
And make you happy with my laughter
I joy in seeing your my daughter
You're my daughter
So believe you're not free if
You don't know me
If you don't know me
If you don't know me
If you don't know me
If you don't know me
If you don't know me

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.