Released: March 1, 1990

Songwriter: Sinéad O’Connor

Producer: Sinéad O’Connor

Each of these
My three babies
I will carry with me
For myself
I ask no one else will be
Mother to these three
And of course
I'm like a wild horse
But there's no other way I could be
Water and feed
Are not tools that I need
For the thing that I've chosen to be
In my soul
My blood and my bones
I have wrapped your cold bodies around me
The face on you
The smell of you
Will always be with me
Each of these
My three babies
I was not willing to leave
Though I tried
I blasphemed and denied
I know they will be returned to me
Each of these
My babies
Have brought you closer to me
No longer mad like a horse
I'm still wild but not lost
From the thing that I've chosen to be
And it's `cause you've thrilled me
Silenced me
Stilled me
Proved things I never believed
The face on you
The smell of you
Will always be with me
Each of these
My three babies
I will carry with me
For myself
I ask no one else will be
Mother to these three

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.