Released: March 1, 1990

Songwriter: Sinéad O’Connor

Producer: Sinéad O’Connor

[Verse 1]
I'm full of good intentions
Like I never was before
It's too late for prevention
But I don't think it's too late for cure
So you call in your minions
See what you can find
Night time or morning
These hands are sticky but I don't mind

[Chorus]
Why must you always be around?
Why can't you just leave it be?
It's done nothing so far but destroy my life
You cause as much sorrow dead
As you did when you were alive

[Verse 2]
I never said I was tough
That was everyone else
So you're a fool to attack me
For the image that you built yourself
It just sounds more vicious
Then I actually mean
I really am soft
Yes, I'm tender and sweet

[Chorus]
Why must you always be around?
Why can't you just leave it be?
You've done nothing so far but destroy my life
You cause as much sorrow dead
As you did when you were alive
Why must you always ask me?
Why can't you just leave it be?
You've done nothing so far but destroy my life
You cause as much sorrow dead
As you did when you were alive

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.