Songwriter: Benny Andersson Björn Ulvaeus

Producer: John Reynolds Sinéad O’Connor

[Verse 1]
Chiquitita, tell me what's wrong
You're enchained by your own sorrow
In your eyes, there is no hope for tomorrow
How I hate to see you like this
There is no way you can deny it, I know
I can see that you're oh-so sad, so quiet

[Verse 2]
Chiquitita, tell me the truth
I'm a shoulder you can cry on
Your best friend, I'm the one you must rely on

[Chorus]
Chiquitita, you and I know
How the heartaches come and they go
And the scars they're leaving
You'll be dancing once again, and the pain will end
You will have no time for grieving
Chiquitita, you and I cry
But the sun is still in the sky and shining above you
Let me hear you sing once more like you did before
Sing a new song, Chiquitita
Try once more, like you did before
Sing a new song, Chiquitita

Try once more, like you did before
Sing a new song, Chiquitita

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.