Released: September 13, 1994

Songwriter: Sinéad O’Connor

Producer: Phil Coulter John Reynolds Sinéad O’Connor

[Verse 1]
A Perfect Indian is he
Remembering him life is sweet
Like a weeping willow
His face on my pillow
Comes to me still in my dreams

[Verse 2]
And there I saw a young baby
A beautiful daughter was she
A face from a painting
Red cheeks and teeth aching
Her eyes like a wild Irish sea

[Verse 3]
On a table in her yellow dress
For a photograph feigned happiness
Why in my life is that the only time
That any of you will smile at me

[Chorus]
I'm sailing on this terrible ocean
I've come for my self to retrieve
Too long have I been feeling like Lir's children
And there's only one way to be free

[Verse 4]
He's shy and he speaks quietly
He's gentle and he seems to me
Like the elf-arrow
His face worn and harrowed
Is he a daydreamer like me

[Chorus]
I'm sailing on this terrible ocean
I've come for my self to retrieve
Too long have I been feeling like Lir's children
And there's only one way to be free

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.