Released: September 13, 1994

Songwriter: Sinéad O’Connor

Producer: Phil Coulter John Reynolds Sinéad O’Connor

I'm not no red football
To be kicked around the garden
No no
I'm a red Christmas-tree ball
And I'm fragile
I'm not no animal
Though I am to you
I'm not no crocodile
Like the one in Dublin Zoo
Who lived in a cage
The length and breadth of his body
When a window which people would look through
And throw coins on his back to taunt him
Though he couldn't move
Even if he wanted to

I'm not no animal in the zoo
I'm not no whipping boy for you
You may not treat me like you do
I'm not no animal in the zoo
My skin is not a football for you
My head is not a football for you
My body's not a football for you
My womb is not a football for you
My heart is not a football for you
I'm not no animal in the zoo
This animal will jump up and eat you
I'm not no animal in the zoo
And I've every intention
Of leaping up and getting you

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.