Released: October 31, 2011

Songwriter: Brian Wilson

Producer: Alan Boyd Mark Linett

Brian:
Ahhh-Ah-oooo.

Jim:
Take your time, Brian.

Mike:
Listen girl, I said "I gotta go out, buy me some new shoes." I told her, European too, "I have to run around with rags on my feet". Hallelujah, you got some fine some rags on your feet. I mean, I told the man "Shit, I needs credit".

Brian:
Ah-ooo.

Dennis:
Oo-ooo.

Brian:
No, "Ah-oo".

Dennis:
Brian, it's "Oo-oo"!

Carl:
Oo-ooo. Is that the last chance you do it or the last note?

Dennis:
Brian it's, "Ooooo", it's not, "Ah-ooo". It's "oo-oo".

Al:
Right.

Brian:
Okay, "Oo-oo".

Carl:
Big deal.

Brian:
One, two, three...

[Our Prayer: Take 1]

Dennis:
Un-un.

Mike:
Wait a minute. Really.

Al:
I'm sorry, but I just...

Brian:
Let's do it again.

Carl:
Hey, the last two notes are "Oo-oo". You guys, no "ah". Okay, but not everybody's doing it. Not everybody's...

Bruce:
You putting a track in sync to this?

Brian:
Yeah.

Bruce:
Okay let's get the pitch really on it now.

Brian:
Okay, now watch the changes and the thing goes...

Carl:
I think you two better get in cause Dennis and I were really loud.

[Our Prayer: Take 2]

Bruce:
We're off.

Jim:
Try again.

Carl:
Try- Try not to make your voices so harsh but make 'em "ahhh". Make 'em like really, "aaahhhhh". They don't have to be, "ennnhh".

Brian:
Alright, get in. Move in, please. Come on, sing out now.

Bruce:
But don't block too much of that, otherwise you get a false...

Al:
Okay, great.

Brian:
One, two...

[Our Prayer: Take 3]

Carl:
Hey, this one will get it! This is...

Mike:
We should be doin' "Good Vibration" anyway.

Brian:
Let's get it. Let's go.

Bruce:
Would it be better if I didn't sing it and you just...?

Brian:
Come on! Let's just... Are you singing, Carl? Are you singing?

Mike:
Nobody's changing, or some shit.

Carl:
There were no changes.

Dennis:
You're the one who was changin', Mike. You and I. Because I changed and...

Bruce:
Getting better. It's cool but it's getting better.

Al:
Alright, 32.

Brian:
32.

Dennis:
32! We're almost up to Little Miss America.

Brian:
Hit the thing solid. Right on the note. Two, three...

[Our Prayer: Take 32]

Brian:
I rushed it. It's gettin' better. I don't understand the mo- the thing that's happening there.

Dennis:
Well... [sings part]. Right?

Brian:
Yeah.

Mike:
Is that it?

Brian:
Yeah.

Mike:
Okay, then try again.

Brian:
One, two, three...

[Our Prayer: Take 33]

Brian:
I know what it is, we're not doin' it fast enough and we're not- it's not moving there.

Mike:
I'm hittin' the note.

Brian:
Something's not happening with it, though. Here we go. Two, three...

[Our Prayer: Take 34]

Brian:
Take it soft and build it. Here we go. One, two, three...

[Our Prayer: Take 35]

Brian:
One more time.

Mike:
Hey, wait a sec. Where is it from, my ending note?

Brian:
A whole octave, man.

Mike:
Yeah! That's what I figured.

Brian:
Hey, that's cool! Pick an octave. Here we go: One, two, three...

[Our Prayer: Take 36]

Carl:
I was bad.

Brian:
Carl, you're just gonna have to make that change.

Carl:
Alright, I can't do it. Okay, I'm doing it the wrong way. Got it.

Brian:
Two, three...

[Our Prayer: Take 37]

Al:
Which one is it? Alright.

Brian:
Yeah! I went like this: "wHOOAAAaa" and Al was running that way. Al was looking like this, ya know, waiting for the ball, and about 4 guys break his leg up. Isn't that how it went?

Al:
That's right Brian.

Brian:
Well, I- If you could've seen you, man! You just really...

Al:
Let's go! Hey, hey!

Mike:
Imagine??

Brian:
Come on, Jardine. Ah...two...

[Our Prayer: Take 38]

Mike:
Can you turn out these little light-os up here?

Carl:
Make it very dim in here. We can see what we're doing.

Mike:
Fancí luminato.

Al:
Can't even hear what we're doing in here.

Carl:
Those lights are the things that are...yeah...off with that one.

Al:
Ah! It's beautiful, Carl! Lets...give me the note, Brian.

Brian:
One, two...

[Our Prayer: Take 39]

Brian:
You're not building enough, Al.

Al:
It's not fast enough, Brian.

Carl:
First off, it's not fast enough.

Al:
It's draggy, man.

Carl:
It's not fast enough, Brian.

Brian:
Okay, move it a little faster. Okay let's take a breath now.

Jim:
Take 4. Part 4, take 3.

Brian:
Yeah, okay. Here we go. One, two...

[Our Prayer: Part 4, Take 3]

Brian:
Why are we losin' our breath?

Al:
How can it be that long?

Jim:
Part 4, take 12.

Brian:
Okay, here we go, now. One, two...

[Our Prayer: Part 4, Take 12]

Brian:
Excuse me.

Mike:
Try to do it again.

Carl:
I think we should all do them separate, I swear to God.

Mike:
Well, do it!

Al:
Let's do it with it!

Brian:
One more, please.

Al:
Watch his hand you guys.

Mike:
When we doin' "Wonderful"?

Brian:
Um...when you wanna do it?

Mike:
Tomorrow night?

Brian:
We don't have anything till Thursday and Friday.

Mike:
Oh. Okay.

Carl:
Why can't we do "Wonderful"?

Brian:
Not tonight. I'm glad we got this thing done. I really am. I would like everyone to sing out cause it's a big ending. Let's just do it fast and get it over with.

Al:
So should we outline?

Brian:
I don't think you're moving with my conduction.

Carl:
Are you looking at...?

Al:
Yes, I am.

Brian:
Here it goes. Earphones!

Al:
We're doin' the whole bit?

Brian:
Yeah. One, two...

[Our Prayer: Part 4, Take 13]

The Beach Boys

The Beach Boys are one of the world’s best-selling bands of all time and the first American pop band to reach the 50-year milestone. Their vocal harmonies are among the most unmistakable and enduring of the rock and roll era.

Formed in 1961 in Hawthorne, California, by Brian Wilson, his two brothers Carl and Dennis, their cousin Mike Love, and classmate Al Jardine, the group’s first single “Surfin'” got them signed to Capitol Records and they quickly became one of the most popular and successful artists of the surf music craze of the 1960s. From 1962 to 1966, The Beach Boys scored over twenty top 40 hits in the US including the chart-toppers “I Get Around”, “Help Me Rhonda” & “Good Vibrations” along with the top 5’s “Surfin USA”, “Fun, Fun, Fun”, “California Girls”, “Barbara Ann” & “Sloop John B”. Several of the band’s singles also found top 40 success in Canada, Australia, Sweden and the UK. In 1965, de facto leader Brian Wilson suffered a mental breakdown due to the stress of writing, producing & touring combined with substance abuse issues, causing him to step down and stop traveling with the band on tour.

Inspired by producer Phil Spector and The Beatles' Rubber Soul, Brian focused on studio work, determined to keep the group relevant as the surf music scene was fading with their 1966 album Pet Sounds. Despite tension between members in the studio about this new direction, lack of faith from the record label, mixed reviews, and comparatively lukewarm reception initially in the US, the album still found massive success in the UK and earned accolades from fellow artists including The Beatles, who acknowledged that the album was their inspiration to further push the boundaries of pop music with their landmark album Sgt. Pepper’s Lonely Hearts Club Band. Eventually Pet Sounds would be acknowledged as one of the greatest albums ever recorded by several media outlets like The Times, Mojo Magazine, The Guardian, VH1, BBC and Rolling Stone.

From the album