[Verse 1]
I don't know what you're looking for
You haven't found it baby, that's for sure
You rip me up, you spread me all around
In the the dust of the deed of time

[Verse 2]
And this is not a case of lust, you see
It's not a matter of you versus me
It's fine the way you want me on your own
But in the end it's always me alone

[Chorus 1]
And I'm losing my favourite game
You're losing your mind again
I'm losing my baby, losing my favourite game

[Verse 3]
I only know what I've been working for
Another you so I could love you more
I really thought that I could take you there
But my experiment is not getting us anywhere

[Verse 4]
I had a vision I could turn you right
A stupid mission and a lethal fight
I should've seen it when my hope was new
My heart is black and my body's blue

[Chorus 2]
And I'm losing my favourite game
You're losing your mind again
I'm losing my favourite game
You're losing your mind again
I'm losing my baby, losing my favourite game

[Outro]
I'm losing my favourite game (losing my favourite game)
You're losing your mind again (I tried)
I tried but you're still the same (I tried)
I'm losing my baby
You're losing a saviour and a saint

The Cardigans

One of the most pleasing pop groups of the ‘90s, the Cardigans specialized in sugary confections that would grow annoying very quickly if they weren’t backed by solid musicianship and clever arrangements. The band’s 1995 breakout album, Life, reflected the Cardigans at their most saccharine – the sunny disposition of vocalist Nina Persson being the major argument in favor – and critics inserted the group into the space age pop revivalist camp. the Cardigans later proved that they were more difficult to pigeonhole, however.

Even the band’s origins showed that their later appearance was quite misleading; two heavy metal fanatics formed the group in October 1992 in Jonkoping, Sweden. Guitarist Peter Svensson met bassist Magnus Sveningsson in a hardcore group, though he had previously trained in music theory and jazz arranging. The two later grew tired of metal and decided to form a pop band with vocalist Nina Persson – an art-school friend who had never sung professionally – plus keyboard player Lars-Olof Johansson and drummer Bengt Lagerberg.

All five Cardigans moved into a small apartment in 1993 and began recording a demo tape that entered the hands of producer Tore Johansson later that year. He liked what he heard and invited the group to record at his Malmö studio. Signed to the dance-oriented Stockholm label, the Cardigans released Emmerdale in May 1994. The single “Rise & Shine” became a hit on Swedish radio soon after the release of the LP, and a readers poll in Sweden’s Slitz magazine voted Emmerdale the best album of 1994.