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ParklifeBlur

Released: August 22, 1994

Featuring: Phil Daniels

Songwriter: Dave Rowntree Alex James Graham Coxon Damon Albarn

Producer: Stephen Street

[Verse 1: Phil Daniels & Graham Coxon]
Confidence is a preference for the habitual voyeur of what is known as (Parklife!)
And morning soup can be avoided if you take a route straight through what is known as (Parklife!)
John's got brewer's droop, he gets intimidated by the dirty pigeons, they love a bit of it (Parklife!)
Who's that gut lord marching? You should cut down on your pork life mate, get some exercise

[Chorus: Damon Albarn & Phil Daniels]
All the people
So many people
And they all go hand in hand
Hand in hand through their parklife
Know what I mean?

[Verse 2: Phil Daniels & Graham Coxon]
I get up when I want, except on Wednesdays when I get rudely awakened by the dustmen (Parklife!)
I put my trousers on, have a cup of tea and I think about leaving me house (Parklife!)
I feed the pigeons, I sometimes feed the sparrows too, it gives me a sense of enormous wellbeing (Parklife!)
And then I'm happy for the rest of the day, safe in the knowledge there will always be a bit of my heart devoted to it

[Chorus: Damon Albarn]
All the people
So many people
And they all go hand in hand
Hand in hand through their parklife

[Verse 3: Phil Daniels & Graham Coxon]
Parklife (Parklife!)
Parklife (Parklife!)
It's got nothing to do with your Vorsprung durch Technik, you know
Parklife (Parklife!)
And it's not about you joggers who go 'round and 'round and 'round and 'round and 'round
Parklife (Parklife!)

[Chorus: Damon Albarn]
All the people
So many people
And they all go hand in hand
Hand in hand through their parklife
All the people
So many people
And they all go hand in hand
Hand in hand through their parklife

Blur

British rock group Blur formed in 1988 and began life as a fairly unsuccessful shoegaze/madchester outfit, but the band quickly developed into becoming one of the leaders of the massive 1990s Britpop scene.

Their rivalry with contemporaries Oasis culminated in one of the most famous chart battles in British history – one which Blur won when “Country House” outsold Oasis’s “Roll With It” by 50,000 copies, giving Blur their first #1 single in the process.

Following this, the group embarked on a new musical direction, deliberately heading away from their trademark Britpop sound and instead taking influences from American alternative rock, a sound which earned them new fans in the US and gave them their second UK #1: “Beetlebum” in 1997.

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