Songwriter: Smokey Robinson

Producer: Alex Sadkin Chris Blackwell

Every day brings change
And the world puts on a new face
Certain things rearrange
And the world seems like a new place

Secretly I've been trailing you
Like a fox that preys on a rabbit
I had to get you and so I knew
I'd have to learn all your ways and all your habits

Oh, the catch that I was after
Then I looked up and I was in your arms
And it seemed baby, baby I got captured

What's this whole world coming to?
Things just ain't the same
Anytime the hunter gets captured by the game

I had laid such a tender trap
Hoping you might fall into it
But love hit me like a sudden slap
Just one of your kisses and baby I knew it

Oh, my plans didn't work out like I thought
'Cause I had laid this here trap for you
But it seems baby, baby I got caught

What's this whole world coming to?
Things just ain't the same
Anytime the hunter gets captured by the game

Oh, the catch that I was after
Then I looked up and I was in your arms
And it seemed baby, baby I got captured

What's this whole world coming to?
Things just ain't the same
Anytime the hunter gets captured by the game

I don't let me, I don't know
And I don't let me, let me know
I don't let me, I don't know
I don't let me, let me go
I don't let me, I don't know

Oh, the catch that I was after
Then I looked up and I was in your arms
And it seemed baby, baby I got captured

What's this whole world coming to?
Things just ain't the same
Anytime the hunter gets captured by the game

Grace Jones

Bervely Grace Jones is a Jamaican model, singer, songwriter, record producer, and actress.

Grace started her career in the early 70s as a model. She worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, for fashion houses such as Yves St. Laurent and Kenzo, and appeared on the covers of Elle and Vogue. She became known for her distinctive androgynous appearance and bold features.

In 1977 Jones embarked on a music career, securing a record deal with Island Records and initially becoming a star of New York City’s Studio 54-centered disco scene. Her first album, Portfolio was released in September of that year, containing one of her greatest successes, her version of Edith Piaf’s “La vie en Rose”. In the 80s Grace reached the height of her career being, as pointed by Pitchfork, one of the early convergences of “fashion, art, and music”, influencing on the 1980s pop culture with albums like her iconic Nightclubbing (1981) and Slave to the Rhythm (1985), and her visual work with Jean-Paul Goude.