Released: July 4, 2013

Featuring: Beyoncé

Songwriter: Tina Woods The-Dream Garland “Sebastian” Mosley Jonathan Meadows Gregg Green J-Roc Timbaland James Fauntleroy JAY-Z

Producer: J-Roc Timbaland

[Intro: Beyoncé]
Who wants that perfect love story anyway, anyway?
Cliché, cliché, cliché, cliché
Who wants that hero love that saves the day, anyway?
Cliché, cliché, cliché, cliché
What about the bad guy goes good, yeah?
An innocent love I'm misunderstood, yeah?
Black hour glass, our glass
Toast to clichés in a dark past
Toast to clichés in a dark past

[Verse 1: Jay-Z]
Boy meets girl, girl perfect woman
Girl get to bustin' before the cops come running
Chuck the deuces, chugging D'USSÉ, ugh
Fuck what you say, boys in blue say

[Beyoncé]
I don't care if we on the run
Baby as long I'm next to you
(Uhuu)
And if loving you is a crime
Tell me why do I bring out the best in you
Why

[Bridge: Beyoncé]
I hear sirens while we make love
Loud as hell, but they don't know
They're nowhere near us
I will hold your heart and your gun
I don't care if they come, noooo
I know it's crazy but

[Hook: Beyoncé]
They can take me
Now that I found the places that you
Take me
Without you I got nothing to lose

[Verse 2: Jay-Z]
I'm an outlaw, got an outlaw chick
Bumping 2Pac, on my outlaw shit
Matching tats, this Ink don't come off
Even if rings come off, if things ring off
My nails get dirty, my past ain't pretty
My lady is, my Mercedes is
My baby momma harder than a lot of you niggas
Keep it 100, hit the lottery niggas
You ain't about that life ain't gotta lie to me, nigga
You know it's till the death, I hope it's obvi to niggas
Ugh
Cross the line, speak about mine
I'ma wave this TEC, I'm a geek about mine
Touch a nigga where his rib at, I click clack
Push your mothafuckin' wig back, I did that
I been wilding since a juvi, she was a good girl
'til she knew me, now she is in the drop bustin' Uey's, screaming

[Hook: Beyoncé]
They can take me
Now that I found the places that you
Take me
Without you I got nothing to lose

[Verse 3: Jay-Z]
Deeper than words, beyond right
Die for your love, beyond life
Sweet as a Jesus piece, beyond ice
Blind me baby with your neon lights
Ray Bans on, police in sight
Oh, what a beautiful death, let's both wear white
If you go to heaven and they bring me to hell
Just sneak out and meet me, bring a box of L's
She fell in love with the bad guy, the bad guy
What you doing with them rap guys, them rap guys
They ain't see potential in me girl, but you see it
If it's me and you against the world, then so be it

[Beyoncé]
I don't care if they give me life
I get all of my life from you
(Uhuu)
And if loving you had a price
I would pay my life for you

[Bridge: Beyoncé]
I hear sirens while we make love
Loud as hell, but they don't know
They're nowhere near us
I will hold your heart and your gun
I don't care if they come, noooo
I know it's crazy but

[Outro: Beyoncé]
I don't care I'll never give it up
Give it up, give it up, give it all away
No I swear I'll never give it up
Give it up, give it up, give it all away
I don't care I'll never give it up
Give it up, give it up, give it all away
No I swear I'll never give it up
Give it up, give it up, give it all away
(Without you I got nothing to lose)

JAY-Z

Having sold over 100 million records worldwide, and holding the solo artist record of 14 Billboard 200 #1 albums, Shawn “JAY-Z” Carter is possibly the most talented, accomplished and respected rapper of all-time. He has released 13 studio albums and five collaborative albums over his 30-year career.

Three of his albums, Reasonable Doubt, The Blueprint, and The Black Album, are considered landmarks in the genre, with all of them featured in Rolling Stone’s list of the 500 greatest albums of all time. Hov has won 21 Grammy Awards from sixty-four nominations, making him the 10th most awarded artist of all-time.

Legendary for never writing down his lyrics, JAY-Z’s flow is considered one of the greatest to grace the genre, his wordplay and metaphorical ability is unmatched, and his live shows push the envelope of what it means to be a hip hop artist. His MTV Unplugged appearance introduced the idea of having a full band (The Roots) backing up a hip hop artist at major concerts, and during his 2004 documentary Fade to Black he doubled down, selling out Madison Square Garden (in mere minutes) while featuring an enormous live band performance.