Released: August 21, 1990

Featuring: Radio-Symphonie-Orchester Berlin Paul Carrack Van Morrison Bryan Adams Cyndi Lauper Joni Mitchell

Songwriter: Roger Waters

Producer: Nick Griffiths Roger Waters

I used to think the world was flat
Rarely threw my hat into the crowd
I felt I had used up my quota of yearning
Used to look in on the children at night

In the glow of their Donald Duck light
And frighten myself with the thought of my little ones burning
But, oh, oh, oh, the tide is turning
The tide is turning

Satellite buzzing through the endless night
Exclusive to moonshots and world title fights
Jesus Christ imagine what it must be earning
Who is the strongest

Who is the best
Who holds the aces
The East
Or the West

This is the crap our children are learning
But oh, oh, oh, the tide is turning
The tide is turning
Oh, oh, oh, the tide is turning

Now the satellite's confused
'Cause on Saturday night
The airwaves were full of compassion and light
And his silicon heart warmed

To the sight of a billion candles burning
Oo, oo, oo, the tide is turning
Oo, oo, oo, the tide is turning
The tide is turning Billy

I'm not saying that the battle is won
But on Saturday night all those kids in the sun
Wrested technology's sword from the hand of the war lords
Oh, oh, oh, the tide is turning

The tide is turning Sylvester
The tide is turning
"That's it!
Now the past is over but you are not alone

Together we'll fight Sylvester Stallone
We will not be dragged down in his South China Sea
Of macho bullshit and mediocrity"

Roger Waters

Roger Waters, the lyrical mastermind behind most of Pink Floyd’s work in the 1970s, was the band’s bassist, vocalist and, at one point, its front man. He solidified himself as one of music’s greatest poets with Animals, a picture of modern society metaphorized as animals, and The Wall, an epic rock opera that follows a rockstar’s declining mental state and disillusionment with the world around him.

After leaving Pink Floyd, he went on to create even more works that geared towards geopolitical themes, with the electrifying Radio K.A.O.S. and the provoking Amused to Death.