Released: September 30, 2016

Songwriter: Hozier

Producer: Mike Plotnikoff

Amen
Amen

Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life

Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life

If I'm a pagan of the good time
My lover's the sunlight
To keep the goddess on my side
She demands a sacrifice
Drain the whole sea
Get something shiny

Something meaty for the main course
That's a fine-looking high horse
What you got in the stable?
We've a lot of starving faithful
That looks tasty
That looks plenty
This is hungry work

Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins so you can sharpen your knife
Offer me my deathless death
Good God, let me give you my life

Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life

No masters or kings when the ritual begins
There is no sweeter innocence than our gentle sin
In the madness and toil of that sad earthly scene
Only then I am human, only then I am clean

Amen
Amen
Amen

Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life

Take me to church
I'll worship like a dog at the shrine of your lies
I'll tell you my sins and you can sharpen your knife
Offer me that deathless death
Good God, let me give you my life

Take me to church
Take me to church
Won't you take me?
Take me to church

The Agonist

The Agonist is a Canadian extreme metal band from Montreal, Quebec, formed in 2004.

They are known primarily for Vicky Psarakis and Alissa White-Gluz’s ability to use both clean vocals and metal growls and Danny Marino’s use of two or more intersecting melodies and unorthodox chords often featuring wide intervals and octave displacements. Songs' themes often revolve around moral concerns such as animal rights, societal dilemmas, and the state of the world.

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