Released: January 15, 2002

Songwriter: Cindy Wilson Keith Strickland Ricky Wilson (B-52's)

Flying saucers could land
And it wouldn't make much difference to my man
I could walk aboad and thank the Lord
And leave this damn town in seconds flat
Check my bags and never come back

Oh, our love is
Like a fuse that's burned out
Oh, our love is
Like a fuse that's burned out

Oh, I've been unkind
Not like you
Ain't I ashamed
Being misused

Oh, our love is
Like a fuse that's burned out
Oh, our love is
Like a fuse that's burned out

I liked your Chevy Duster
I liked your brand new trailer
I liked your colour TV
But you looked at that colour TV
More than me
More than me

Oh, our love is
Like a fuse that's burned out
Oh, our love is
Like a fuse that's burned out

The B-52's

The B-52’s, (now stylized as The B-52s) are an internationally successful New Wave band also known for their campy fashion. The group’s original line-up consisted of Fred Schneider, Kate Pierson, Keith Strickland, Cindy Wilson and Ricky Wilson. Originally, all members of the band played multiple instruments. However, after Ricky Wilson’s tragic AIDS-related death in 1985, instead of hiring a full-time replacement, Strickland transitioned to primarily playing guitar, and the band has used various other musicians for recording and touring purposes.

Their self-titled first album The B-52’s was released to critical acclaim in 1979, spawning the Canadian chart-topping hit “Rock Lobster”, which was also successful in Australia, New Zealand, the US and the UK. Rolling Stone magazine later placed the album at #152 on its list of the 500 greatest albums of all time.

Their second album, Wild Planet, released in 1980, spawned another minor US hit with “Private Idaho”. Whammy! followed in 1983, giving the band a third minor US hit with “Legal Tender”. Their fourth album, Bouncing Off the Satellites, was recorded and mixed but not yet released when Ricky Wilson died in October 1985. It was nearly a year before the album was released, in September 1986. It is the band’s only album that does not feature a picture of its members on the cover.