Released: August 2, 2019

[Verse 1]
Streets like a jungle, so call the police
Following the herd down to Greece on holiday
Love in the '90s is paranoid
On sunny beaches, take your chances looking for

[Chorus]
Girls who want boys who like boys to be girls
Who do boys like they're girls who do girls like they're boys
Always should be someone you really love

[Verse 2]
Avoiding all work 'cause there's none available
Like battery thinkers, count your thoughts on one, two, three, four, five fingers
Nothing is wasted, only reproduced
You get nasty blisters, du bist sehr schön, but we haven't been introduced

[Chorus]
Girls who want boys who like boys to be girls
Who do boys like they're girls who do girls like they're boys
Always should be someone you really love
Girls who want boys who like boys to be girls
Who do boys like they're girls who do girls like they're boys
Always should be someone to really love

[Bridge]
Oh, oh, oh, oh-oh, oh
Oh, oh, oh, oh-oh

[Chorus]
Looking for girls who want boys who like boys to be girls
Who do boys like they're girls who do girls like they're boys
Always should be someone you really love
Girls who want boys who like boys to be girls
Who do boys like they're girls who do girls like they're boys
Always should be someone to really love
Girls who want boys who like boys to be girls
Who do boys like they're girls who do girls like they're boys
Always should be someone you really love
Girls who want boys who like boys to be girls
Who do boys like they're girls who do girls like they're boys
Always should be someone to really love

[Bridge]
Oh, oh, oh, oh-oh, oh
Oh, oh, oh, oh-oh

Blur

British rock group Blur formed in 1988 and began life as a fairly unsuccessful shoegaze/madchester outfit, but the band quickly developed into becoming one of the leaders of the massive 1990s Britpop scene.

Their rivalry with contemporaries Oasis culminated in one of the most famous chart battles in British history – one which Blur won when “Country House” outsold Oasis’s “Roll With It” by 50,000 copies, giving Blur their first #1 single in the process.

Following this, the group embarked on a new musical direction, deliberately heading away from their trademark Britpop sound and instead taking influences from American alternative rock, a sound which earned them new fans in the US and gave them their second UK #1: “Beetlebum” in 1997.