Released: April 22, 2017

Songwriter: David Bowie

Producer: Olivia Thomas Nigel Reeve Aisha Cohen David Bowie

[Verse 1]
Someday they won't let you
So now you must agree
The times they are a-telling
And the changing isn't free
You've read it in the tea leaves, and the tracks are on TV
Beware the savage jaw of 1984
They'll split your pretty cranium, and fill it full of air
And tell that you're eighty, but brother, you won't care
You'll be shooting up on anything, tomorrow's neverthere
Beware the savage jaw of 1984

[Chorus]
Come see, come see, remember me?
We played out an all night movie role
You said it would last, but I guess we enrolled
In 1984 (Who could ask for more?)
1984 (Who could ask for...)
(Mor-or-or-or-ore)

[Verse 2]
I'm looking for a vehicle, I'm looking for a ride
I'm looking for a party, I'm looking for a side
I'm looking for the reason that I knew in '65
Beware the savage jaw of 1984

[Chorus]
Come see, come see, remember me?
We played out an all night movie role
You said it would last, but I guess we enrolled
In 1984 (Who could ask for more?)
1984 (Who could ask for mor-or-or-or-ore?)
(Mor-or-or-or-ore)

[Outro]
1984 (Who could ask for mor-or-or-or-ore?)
1984 (Who could ask for mor-or-or-or-ore?)
1984 (Who could ask for mor-or-or-or-ore?)
1984 (Who could ask for more?)

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.