Released: April 22, 2017

Songwriter: David Bowie

Producer: Olivia Thomas Nigel Reeve Aisha Cohen David Bowie

[Instrumental intro]

[Verse 1]
Ground Control to Major Tom
Ground Control to Major Tom
Take your protein pills
And put your helmet on
Ground Control to Major Tom
Commencing countdown
Engines on
Check ignition
And may God's love be with you

[Instrumental Bridge]

[Verse 2]
This is Ground Control to Major Tom
You've really made the grade
And the papers want to know whose shirt you wear
Now it's time to leave the capsule if you dare
This is Major Tom to Ground Control
I'm stepping through the door
And I'm floating in a most peculiar way
And the stars look very different today

[Chorus]
For here am I sitting in a tin can
Far above the world
Planet Earth is blue
And there's nothing I can do

[Guitar Solo]

[Verse 3]
Though I'm past one hundred thousand miles
I'm feeling very still
And I think my spaceship knows which way to go
Tell my wife I love her very much
She knows
Ground Control to Major Tom
Your circuit's dead, there's something wrong
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you hear me, Major Tom?
Can you

[Chorus]
Here am I floating 'round my tin can
Far above the moon
Planet Earth is blue
And there's nothing I can do

[Instrumental outro]

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.