David Bowie

Released: April 22, 2017

Songwriter: David Bowie

Producer: Olivia Thomas Nigel Reeve Aisha Cohen David Bowie

[Keyboard Intro]

[Verse 1]
Don't talk of dust and roses
Or should we powder our noses?
Don’t live for last year's capers
Give me steel, give me steel, give me pulsars unreal
He'll build a glass asylum
With just a hint of mayhem
He’ll build a better whirlpool
We'll be living from sin
Then we can really begin

[Bridge]
Please saviour, saviour, show us
Hear me, I'm graphically yours

[Chorus]
Someone to claim us, someone to follow
Someone to shame us, some brave Apollo
Someone to fool us, someone like you
We want you Big Brother, Big Brother

[Outro]
Brother
Hoo, hoo
Shake it up, shake it up
Move it up, move it up
Brother
Hoo, hoo
Shake it up, shake it up
Move it up, move it up
Brother
Hoo, hoo
Shake it up, shake it up
Move it up, move it up
Brother
Hoo, hoo

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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