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BombersDavid Bowie

Released: January 30, 1990

Songwriter: David Bowie

Producer: David Bowie Ken Scott

All clear wail the sirens
Sunshine on the wasteland
Old man sitting in the white sand
Think we're in for a big surprise
Right between the eyes

Seemed a good idea
To drop a bomb on the wasteland here
Only one man could be seen
And he was old and so serene
Captain sat in his deck chair
And the red light flashed, beware
Pilot felt quite big-time
As the bomb sailed through the air
Well, they danced and sang
When the bang went bang
When the lights popped out
And the smoke began to clear
It was positively queer

All clear wail the sirens
Sunshine on the wasteland
Old man sitting in the white sand
Think we're in for a big surprise
Right between the eyes

"Die" said the General
"Cobblers" said the man
So the Pentagon sent a cable
And the Queen a telegram
A-bombs, H-bombs, even very small ones
Ripped apart that sand
'Til the stench was just revolting
And the sky a greenish tan
But the soldier said "Sir
There's a crack in the world"
And the figures went "squash"
And the bits flew far and wide
How the universe sighed!

All clear wail the sirens
Sunshine on the wasteland
Old man sitting in the white sand
Think we're in for a big surprise
Right between the eyes

All clear wail the sirens
Sunshine on the wasteland
Old man sitting in the white sand
Think we're in for a big surprise
Right between the eyes

When the smoke had blown away
There was nothing left to view
Except a man dear Lord who looked like you
Floating high up in the sky

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.

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