I'm closer to the Golden Dawn
Immersed in Crowley's uniform of imagery
I'm living in a silent film
Portraying Himmler's sacred realm of dream reality

I'm frightened by the total goal
Drawing to the ragged hole
And I ain't got the power anymore
No I ain't got the power anymore

I'm the twisted name in Goebbel's eyes
Living proof of Churchill's lies, I'm destiny
I'm torn between the light and dark
Where others see their targets in divine symmetry

Should I kiss the viper's fang
Or herald in the death of Man
I'm sinking in the quicksand of my thought
And I ain't got the power anymore

Don't believe in yourself
Don't deceive with belief
Knowledge comes with death's release
Ah ah ah ah, ah ah ah ah

I'm not a prophet or a stone age man
Just a mortal with potential of a superman, I'm living on
I'm tethered to the logic of homo sapien
Can't take my eyes from the great salvation of bullshit faith

If I don't explain what you ought to know
You can tell me all about it on the next Bardo
I'm sinking in the quicksand of my thought
And I ain't got the power anymore

Don't believe in yourself
Don't deceive with belief
Knowledge comes with death's release
Ah ah ah ah, ah ah ah ah

Don't believe in yourself
Don't deceive with belief
Knowledge comes with death's release
Ah ah ah ah, ah ah ah ah

David Bowie

David Bowie (1947 – 2016) was a British musician, and one of the most iconic rock stars with a widely diverse career where he frequently changed his appearance and musical style, resulting in an acclaimed discography comparable to other stalwarts such as The Beatles and Bob Dylan. Born David Robert Jones, Bowie quickly renamed himself to prevent confusion with The Monkees singer Davy Jones. Enduring many early missteps, he rose to prominence when his most famous song, “Space Oddity,” was played during the coverage of the Apollo 11 moon landing.

Despite this early breakthrough, Bowie remained a cult figure for several years. Even the release of Hunky Dory, his first great album, went largely unnoticed. Bowie only lodged himself firmly in the public consciousness when he announced his bisexuality and created Ziggy Stardust in early 1972. A Martian who combined the debauchery of Iggy Pop with the artistry of Lou Reed, Ziggy was the main character in Bowie’s breakthrough album, and his public persona for eighteen months.

Bowie used his new-found popularity to move to America, and dabble with new musical directions and cocaine. Diamond Dogs and Young Americans continue to divide critics, but Station To Station found Bowie at a new creative peak, despite escalating drug use and related health issues.