Released: November 16, 2010

Part 3: POLITICS As USUAL

Poor people in general have a twisted relationship with the government. We're aware of the government from the time we're born. We live in government-funded housing and work government jobs. We have family and friends spending time in the ultimate public housing, prison. We grow up knowing people who pay for everything with little plastic cards — Medicare cards for checkups, EBT cards for food. We know what AFDC and WIC stand for and we stand for hours waiting for bricks of government cheese. The first and fifteenth of each month are times of peak economic activity. We get to know all kinds of government agencies not because of civics class, but because they actually visit our houses and sit up on our couches asking questions. From the time we're small children we go to crumbling public schools that tell us all we need to know about what the government thinks of us.

Then there are the cops.

In places like Marcy there are people who know the ins and outs of government bureaucracies, police procedures, and sentencing guidelines, who spend half of their lives in dirty waiting rooms on plastic chairs waiting for someone to call their name. But for all of this involvement, the government might as well be the weather because a lot of us don’t think we have anything to do with it--we don't believe we have any control over this thing that controls us. A lot of our heroes, almost by default, were people who tried to dismantle or overthrow the government--Malcolm X or the Black Panthers--or people who tried to make it completely irrelevant, like Marcus Garvey, who wanted black people to sail back to Africa. The government was everywhere we looked, and we hated it.

Housing projects are a great metaphor for the government's relationship to poor folks: these huge islands built mostly in the middle of nowhere, designed to warehouse lives. People are still people, though, so we turned the projects into real communities, poor or not. We played in fire hydrants and had cookouts and partied, music bouncing off concrete walls. But even when we could shake off the full weight of those imposing buildings and try to just live, the truth of our lives and struggle was still invisible to the larger country. The rest of the country was freed of any obligation to claim us. Which was fine, because we weren't really claiming them, either.

JAY-Z

Having sold over 100 million records worldwide, and holding the solo artist record of 14 Billboard 200 #1 albums, Shawn “JAY-Z” Carter is possibly the most talented, accomplished and respected rapper of all-time. He has released 13 studio albums and five collaborative albums over his 30-year career.

Three of his albums, Reasonable Doubt, The Blueprint, and The Black Album, are considered landmarks in the genre, with all of them featured in Rolling Stone’s list of the 500 greatest albums of all time. Hov has won 21 Grammy Awards from sixty-four nominations, making him the 10th most awarded artist of all-time.

Legendary for never writing down his lyrics, JAY-Z’s flow is considered one of the greatest to grace the genre, his wordplay and metaphorical ability is unmatched, and his live shows push the envelope of what it means to be a hip hop artist. His MTV Unplugged appearance introduced the idea of having a full band (The Roots) backing up a hip hop artist at major concerts, and during his 2004 documentary Fade to Black he doubled down, selling out Madison Square Garden (in mere minutes) while featuring an enormous live band performance.