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BlameKorn

Released: June 11, 2002

Songwriter: Jonathan Davis James “Munky” Shaffer Brian “Head” Welch Reginald “Fieldy” Arvizu David Silveria

Producer: Michael Beinhorn

[Verse]
So I think you are a fool
Hanging on my every word
It's getting ugly
So I'm ugly

Tear me from your heart
Tearing me apart

So I thought you'd disappear
Being alone is what you fear
Are you lonely?
Yes, lonely

Tear me from your heart
Tearing me apart

[Chorus]
Rolling and throwing, consoling
Everything that goes this far
Joking and hoping, revolting
All that shit that's who you are

Hoping, and scolding, revolting
Peel it back, reveal the scar
Loathing, exploding, controlling
This is what you really are

[Bridge]
The time is coming, gone insane
You're feeling happy, won the game
The time is coming, a bed of flames
Your life is over and you're to blame

The time is coming, you've gone insane
You're feeling happy, you've won the game
The time is coming, a bed of flames
Your life is over and you're to blame

Blame

[Chorus]
Rolling and throwing, consoling
Everything that goes this far
Joking and hoping, revolting
All that shit that's who you are

Hoping, and scolding, revolting
Peel it back, reveal the scar
Loathing, exploding, controlling
This is what you really are

Rolling and throwing, consoling
Everything that goes this far
Joking and hoping, revolting
All that shit that's who you are

Hoping, and scolding, revolting
Peel it back, reveal the scar
Loathing, exploding, controlling
This is what you really are

Korn

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”

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