Korn

Released: December 6, 2011

Featuring: Noisia

Songwriter: Ray Luzier Reginald “Fieldy” Arvizu James “Munky” Shaffer Jonathan Davis

Producer: Jim Monti Noisia

[Intro]
Are you scared?

[Verse 1]
Holding on to sacred places
Holding on to what is found
I'm looking forward to see their faces
Flat on the ground, the horror profound
None of you people mean shit to me
Sadistic little fucking fantasy
Smashed on the ground in your own debris
While choking on your blood from the sodomy
None of you people mean shit to me
Sadistic little fucking fantasy
Burn the obedient, set yourself free

[Chorus]
Walk the path of secrecy
Induce the heartless mockery
A hopeless fantasy
That nothing changes your misery

[Verse 2]
All the damage it just erases
Mediocrity all around
The grandiose disorder replaces
Conditions of peace, is this my release?
None of you people mean shit to me
Sadistic little fucking fantasy
Smashed on the ground in your own debris
While choking on your blood from the sodomy
None of you people mean shit to me
Sadistic little fucking fantasy
Burn the obedient, set yourself free

[Chorus]
Walk the path of secrecy
Induce the heartless mockery
A hopeless fantasy
That nothing changes your misery

[Brige]
Burn the obedient
Burn the obedient
Burn the obedient
Burn the obedient
Burn the obedient
Burn the obedient
Now!

[Chorus]
Walk the path of secrecy
Used the heartless mockery
A hopeless fantasy
That nothing changes your misery
Walk the path of secrecy
Induce the heartless mockery
A hopeless fantasy
That nothing changes your misery

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”

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