Korn

Released: December 6, 2011

Featuring: Skrillex

Songwriter: Korn

Producer: Jim Monti Skrillex

[Verse 1]
Coming onto you
The hell you got me through
What would I have to do to kiss that frown?
I know what's wrong with you
That fucked up part of you
Is gonna bury me under ground
Now I'm awake
Been stuck in a place I really hate
And it's not fate
Everything's just fine

[Chorus]
So why must it be?
Chaos lives in everything
Trapped inside a dream
It all comes back to me

[Verse 2]
Get away from you
Is what I gotta do
I want my soul back
I'll stand my ground
So walk away from me
You know this has to be
Another way for me to kiss that frown
And it's not fate
Everything's just fine!

[Chorus]
So why must it be?
Chaos lives in everything
Trapped inside a dream
It all comes back to me
Now I'm guilty, not ashamed
Got this thing attached to me
Throw it all away
It just comes back to me

[Brige]
Gonna take you
Gonna break you
Gonna rape you
Fuck you bitch, frown
Sometimes I worry
Sometimes I'm sorry
Sometimes I just want to beat you down
Gonna take you
Gonna break you
Gonna rape you
Fuck you bitch, frown
Sometimes I worry
Sometimes I'm sorry
Sometimes I just want to kiss that frown
I'm insane but now you gotta give it all to me!
Life is wearing thin!
My only pleasure is watching you give in!
I tried to pretend!
And all it got me was nothing in the end!
I tried to win!
And all it got me was nothing in the end!

[Chorus]
So why must it be?
Chaos lives in everything
Trapped inside a dream
It all comes back to me
Now I'm guilty, not ashamed
Got this thing attached to me
Throw it all away
It just comes back to me
It just comes back to me!
It just comes back to me!

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”

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