Released: October 25, 2016

Songwriter: Reginald “Fieldy” Arvizu Brian “Head” Welch Sluggo Ray Luzier James “Munky” Shaffer Jonathan Davis

Producer: Nick Raskulinecz

[Verse 1]
Now look at you, you're like a trainwreck that is in slow motion
If I were you, I'd trade away that every guilty notion
If this is true, would you lie? Would you cheat? Would you try to remind me
Of something really new? Still, I dive in grasping in the emotion

[Chorus]
Is it love? But I'll never face the truth
I'm lost and out of you

[Verse 2]
I should've known, you're so cold, and how could I be so clueless?
A thought you'd grown, but only grew more sick and in debt to stillness
I'd walk away, but the price is high, and I guess I'll manage
I've dug this grave for two, and if you lay down, will I still feel sadness?

[Chorus]
Is it love? But I'll never face the truth
I'm lost and out of you

[Bridge]
I can't escape you, wish I could break this chain
I can't relate to these little fucking games
I can't escape you, wish I could break this chain
I can't relate to these little fucking games
I can't escape you, wish I could break this chain
I can't relate to these little fucking games
These little fucking games
These little fucking games

[Chorus]
Is it love? But I'll never face the truth
I'm lost and out of you
Out of you
Out of you

[Outro]
I can't escape you, wish I could break this chain
I can't relate to these little fucking games
I can't escape you, wish I could break this chain
I can't relate to these little fucking games

Korn

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”