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スパイス (Spice)Perfume

Released: November 2, 2011

Songwriter: 中田ヤスタカ (Yasutaka Nakata)

Producer: 中田ヤスタカ (Yasutaka Nakata)

Mimi wo sumashite
(Mimi wo sumashite)
Me wo koraseba hora
(Me wo koraseba hora)
Tobira ga hirakeba
(Tobira ga hirakeba)
Subete ga mieru wa

Shiranai hou ga ii no kamo ne (Maybe)
Demo omoigakenai WAKUWAKU ga hoshii (WAKUWAKU ga hoshii)
Koukishin no SUPAISU wa ne (ah-ah)
Meguri meguri nanika okosu no (SPICE)

Mimi wo sumashite
(Mimi wo sumashite)
Me wo koraseba hora
(Me wo koraseba hora)
Tobira ga hirakeba
(Tobira ga hirakeba)
Subete ga mieru wa

Kore ijou wa
Shiranai hou ga ii no kamo ne(Maybe)
Koisuru hodo HARAHARAsuru wa (HARAHARAsuru wa)
Onaji heya de furete ite mo (ah-ah)
Kinkyori wa tooku ni kanjiteru no

Shiranai hou ga ii no kamo ne (Maybe)
Demo omoigakenai WAKUWAKU ga hoshii (WAKUWAKU ga hoshii)
Koukishin no SUPAISU wa ne (ah-ah)
Meguri meguri nanika okosu no (SPICE)

Mimi wo sumashite
(Mimi wo sumashite)
Me wo koraseba hora
(Me wo koraseba hora)
Tobira ga hirakeba
(Tobira ga hirakeba)
Subete ga mieru wa

Dakedo
Shiranai hou ga ii no kamo ne(Maybe)
Koisuru hodo HARAHARAsuru wa (HARAHARAsuru wa)
Onaji heya de furete ite mo (ah-ah)
Kyori wa tooku ni kanjiteru no

Shiranai hou ga ii no kamo ne (Maybe)
Demo omoigakenai WAKUWAKU ga hoshii (WAKUWAKU ga hoshii)
Koukishin no SUPAISU wa ne (ah-ah)
Meguri meguri nanika okosu no (SPICE)

Maybe... ah-ah
Meguri meguri nanika okosu no
WAKUWAKU ga hoshii
HARAHARAsuru wa
SPICE

Perfume

Perfume is a Japanese pop girl band from Hiroshima Prefecture, Japan, consisting of Ayano Ōmoto (“Nocchi”), Yuka Kashino (“Kashiyuka”) and Ayaka Nishiwaki (“A~chan”). MTV Iggy said “There are a few reasons why Perfume is one of Japan’s most thrilling pop acts. For one thing, there’s the music, which is an infectious batch of chart-topping melodies built upon a foundation of intricate maximal house production that would give Daft Punk a run for their money, with heavily processed vocals that stutter robotically yet always sound 100 percent human. On top of that, they have an impeccably designed retro-futuristic image and punishing, innovative choreography that they nevertheless render effortless. Where all of this truly comes together, of course, is on stage.”

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