Released: November 29, 2019

Songwriter: Prince

Producer: Prince

[Verse 1]
Turn it up, turn it up, baby
My signal's gettin' kinda weak
Turn it up, turn it up, baby
I know you got to be a freak, ooh
Turn it up, turn it up, baby
I'm still waiting by the knob
Turn it up, turn it up, baby
I'm ready for the heavy stuff, oh yeah

[Chorus]
Turn it up, turn it up, baby
Come and play with my controls
Turn it up, turn it up, baby
Work me like a radio (oh, oh)

[Verse 2]
Turn it up, turn it up, baby
Work it 'til I start to groove, ooh
Turn it up, turn it up, baby
I know you know what to do
(Girl, you know what to do)
Turn it up, turn it up, baby
Work it 'til my clothes are wet
Turn it up, turn it up
I wanna drown in your body's sweat!
(Oh yeah)

[Chorus]
Turn it up, turn it up, baby
Come and play with my controls
Turn it up, turn it up, baby
Work me like a radio (oh, oh)
Now turn it up!

[Verse 3]
Come here
Turn it up, turn it up, baby
Give me everything you got
Turn it up, turn it up, baby
You know I know you got a lot (Oh yeah)
Turn it up, turn it up, baby
I'll play what you want me to play
Turn it up, turn it up
It ain't no good unless you turn it up all the way - yeah, yeah!

[Chorus]
Turn it up, turn it up, baby
Come and play with my controls (oh, oh)
Turn it up, turn it up, baby
Work me like a radio (Come on, baby, turn it up)
Turn it up, turn it up, baby
Come and play with my controls (oh)
Turn it up, turn it up, baby
Work me like a radio
(Listen to me now)

[Interlude]
Come on baby, what's it gonna be?
Are you gonna do it or are you gonna leave it up to me?
Are you gonna stop? Are you gonna drop?
Kiss me, kiss me! Yeah!

[Chorus]
Turn it up, turn it up, baby
Come and play with my controls (oh)
Turn it up, turn it up, baby
Work me like a radio (Come on, gotta, gotta, gotta..) (Oh yeah)
Turn it up, turn it up, baby
Come and play with my controls (oh)
Turn it up, turn it up, baby
Work me like a - work me like a ...
Now turn it up!

[Outro]
Yeah, yeah
That wasn't it, now turn it down
Oh, ditty whop
Oh, ditty whop
Oh, ditty whop
Oh, oh, oh, yeah
Oh, ditty whop
Oh, oh, yeah
Oh, ditty whop
Oh, ditty whop
Yeah, yeah
Oh, ditty whop
Oh, ditty whop
Yeah, yeah
Listen to me
Come and play with my controls
Work me like a radio
Come and play with my controls
Shock-a
Work me like a radio

Prince

An American singer-songwriter, musician, multi-instrumentalist, and actor that produced 22 RIAA-platinum albums during his 40-year career, Prince may be known for one of many different things – his turn as “The Kid” in the iconic film/album/8 ½ minute ballad “Purple Rain”, being the writer behind the acclaimed anthem “Kiss,” rivaling Michael Jackson at the pinnacle of his career, being the inspiration behind censorship laws, or being the artist addressed as an unpronounceable symbol throughout the 1990s—but while many know of Prince, most don’t fully understand the impact his legacy left on this world.

Going by many aliases throughout his life, Prince Rogers Nelson was born in Minneapolis, Minnesota on June 7, 1958 with his father’s (John L. Nelson) stage name as his own given one. Growing up, Prince suffered from serious epileptic seizures at a very young age, but he had wrote his first composition of many by age seven, and outside of his love for basketball, he wanted music to be his purpose in life. His tumultuous childhood, witnessing alcoholism and abuse, caused him to find refuge in neighbor André Cymone’s home in his teens, where the two competed in local band competitions, leading to Prince’s introduction to Morris Day alongside music with his cousin’s band 94 East, leading him to be courted by record labels and ultimately signed to Warner Bros. Records with complete creative control; at 19, his debut album, For You (1978) was released – Prince played all 19 instruments on the record.

Influenced by the likes of Miles Davis, Rick James, and James Brown, Prince desired to form a music dynasty and after the success of his next albums – the platinum-selling Prince (1979), the sexually-charged Dirty Mind (1980), and politically-motivated Controversy (1981) – he negotiated for the ability to form his own label and manage artists of his own. Prince’s trademark sexual/religious rhetoric within pop-and-dance, funk-rock sound gained him a following, but his opening slates for Rick James and The Rolling Stones were both negatively received and facing bankruptcy, the young artist began to reach for mainstream popularity. Cashing on the drug-influenced doomsday mania of the times, 1982’s 1999 easily achieved that mainstream appeal, landing him on MTV, music charts, and radio stations across the world.

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