"Hmm, I see"
Sylvester looks up at Tawn and says "Congratulations man it looks like you the one done have yourself a little T"
Tawn says "ah nah nah, eh, this girl is trippin' G"
Tina says "Trippin? " Roxanne says "chk-humph"
Tawn says "girl, with'cho lying ass, tell me how do you know-" "T" "That that baby belong to me"
Then I don't know where Tina's eyes start blinking real fast and she says to Tawn "how do I know Tawn? "
Sylvester say "are you ok? " "How do I know? "
Then Roxanne says "girl I told you his ass was goin deny this shit when he saw you, let's go"
Sylvester says "wait a minute" Tawn says "Bye" Sylvester says "Tawn" he hits "see ya"
They both paused turn around Tina looked at Tawn and says "—in court muthafucker wouldn't wanna be ya"
Sylvester says "Tawn, ladies please, wait a minute, don't go yet"
Tawn said "they need to learn some respect" I say "Tawn" he says "holla"
Roxanne says "nigga she goin holla at that child support check"
Sylvester saying "nobody going nowhere, now y'all resolve this so we can put this shit in the past"
Roxanne say "cool will talk to you but we ain't got shit to say to his ole Shrek looking ass"
[Tawn:] "Chill see man who this fever blisted looking bitch think she talking too? " "T? "
She says "you muthafucka" I say "damn baby calm down, " I say she says "what, what'chu goin do? "
Tina starts to blink her eye again but this time even faster than before
And she cries out real loud and says "I can't take this shit no more! "
Then Sylvester asks Roxanne "what's wrong with'cha girl's eye, it's like it keep it flinching"
She said "a year ago a pimp hit her in her eye and ever since then she got this nervous condition"
Then Tawn develops a soft spot and says "Sylvester, come here lemme holla"
Tawn pulls him to the side and says "man what do you think? " He says "what'chu mean? " he said "am I that baby's father? "
Then Sylvester says "I don't know it's hard to tell, especially when you was in the pen
But it's one thing I do believe and that is, is that the bitch didn't turn you in"
Then Tawn start walking around saying "man I don't know, a nigga feeling kinda strange"
Then Sylvester says "Gwen told me y'all that'chu was thinking about making a change
Roxanne yell out "I gotta lock this place up and y'all two got to go"
Sylvester say "what time do this place close? " She says "eight" He pulls his gun and says "well act like it's a quarter to four! "
Then he says "talk to the girl Tawn it might be what'chu need"
Tawn says "a family man me? Man I'm too deep in these streets"
Sylvester says "man that's exactly my point this shit will settle you down
You need to get up off of that bullshit and go holla at that girl right now"
Roxanne looking crazy I'm like "Go! " Tawn say "Sylvester man—" I'm like "Go! "
Then Roxanne moves closer to Tina, Tawn give me five and then says "fuck it cho! "
Then he steps to Tina and says "Tina, you wanna work this out? "
Then Roxanne tongue kisses Tina dead in her mouth and says to Tawn "I'm fucking her now! "

R. Kelly

Robert Kelly is a Grammy Award-winning singer, songwriter, and producer from the South Side of Chicago, Illinois, where he first started performing under the “L” subway tracks as a teenager. This led into his first album, Born Into the 90’s, being released in 1992 as a collaboration between R. Kelly and Public Announcement. R. Kelly wrote and produced the entire album, which contained the #1 R&B hits “Honey Love” and “Slow Dance,” along with the Top 10 R&B hits “She’s Got That Vibe” (#7) and “Dedicated” (#9). The following year, Kelly went on to become a solo act.

In 1993, he released his first solo album, 12 Play, featuring the hits “Bump N' Grind” and “Your Body’s Callin'.” He released a self-titled album in 1995 featuring the hits “Down Low (Nobody Has To Know)” and “You Remind Me of Something,” while his 1998 double album, R., featured a string of hits, including “I Am Your Angel” with Celine Dion, “When a Woman’s Fed Up,” and his Grammy Award-winning song “I Believe I Can Fly” from the Space Jam soundtrack.

The success of these albums led to him becoming an in-demand producer in the ‘90s, writing and producing #1 hits for Aaliyah (“Back & Forth”), Janet Jackson (“Any Time, Any Place (Remix)”), Changing Faces (“G.H.E.T.T.O.U.T”), Maxwell (“Fortunate”), and Michael Jackson (“You Are Not Alone”).