Released: October 8, 2002

Songwriter: Traditional Traditional Irish Folk

Producer: Sinéad O’Connor Adrian Sherwood Alan Branch Dónal Lunny

I'll tell me Ma when I go home
The boys won't leave the girls alone
They pull my hair, they stole my comb
But that's alright till I go home

She is handsome, she is pretty
She is the belle of Belfast city
She is courtin' one, two, three
Please won't you tell me, who is she?

Albert Mooney says he loves her
All the boys are fighting for her
They knock at the door and ring at the bell
Saying "Oh, my true love are you well?"
Out she comes as white as snow
Rings on her fingers and bells on her toes
Oul Jenny Murray says she'll die
If she doesn't get the fella with the roving eye

Let the wind and the rain and the hail blow high
And the snow come tumblin' from the sky
She's as nice as apple pie
And she'll get her own lad by and by
When she gets a lad of her own
She won't tell her Ma when she goes home
Let them all come as they will
For it's Albert Mooney she loves still

Chorus

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.