Released: October 8, 2002

Songwriter: Traditional Traditional Irish Folk

In Dublin's fair city, where the girls are so pretty
I first set my eyes on sweet Molly Malone
As she wheeled her wheelbarrow through streets broad and narrow
Crying cockles and mussels alive a-live O!

A-live a-live O! A-live a-live O!
Crying cockles and mussels alive a-live O!

She was a fishmonger and sure it was no wonder
For so were her father and mother before
And they both wheeled their barrows through streets broad and narrow
Crying cockles and mussels alive a-live O!

A-live a-live O! A-live a-live O!
Crying cockles and mussels alive a-live O!

She died of a fever and no one could save her
And that was the end of sweet Molly Malone
Now her ghost wheels her barrow through streets broad and narrow
Crying cockles and mussels alive a-live O!

A-live a-live O! A-live a-live O!
Crying cockles and mussels alive a-live O!
A-live a-live O! A-live a-live O!
Crying cockles and mussels alive a-live O!

Sinéad O’Connor

Sinéad O'Connor (who goes by Shuhada' Sadaqat in her private life) is an Irish singer-songwriter who rose to fame in the late 80s with her album The Lion and the Cobra and achieved worldwide success with her cover of Prince’s “Nothing Compares to You” in 1990.

O'Connor was discovered in 1985 when Nigel Grainge of Ensign Records saw her band Ton Ton Macoute perform. Although he was not fond of the band’s music, he was impressed by O'Connor’s ‘amazing voice’. Grainge had O'Connor record four songs with Karl Wallinger (World Party) and signed her to his label. O'Connor’s first single was the song “Heroine” which she co-wrote with U2’s guitarist The Edge for the film Captive.

Her debut album The Lion and the Cobra was a sensation when it was released in 1987, reaching gold record status and earning a Best Female Rock Vocal Performance Grammy nomination. O'Connor’s debut single “Troy” charted in The Netherlands and Belgium, and “Mandinka”, released in late 1987, cracked the top 20 in the UK and top 30 in three other European countries, helping her album chart well in Europe. Spin Magazine described the album as a “remarkable, still-spine-tingling first record”.