Producer: Duncan Sheik

I'm sorry
He brought us there
Me, crying in my underwear
On the morning
Of Halloween
Like a story out of People Magazine
I drove home
And fell asleep alone

I'm sorry
For crying
Don't feel bad
You didn't do that

Black and blues
And yellows, too
Will fade the same
As embers do
We'll wake up tomorrow
And feel new

This story
That we won't share;
We're all gonna hide it well away somewhere
A warning
For family
The kind a person gives about an enemy
Now, well known
Let's never sleep alone

I'm sorry
For crying
Don't feel bad
You didn't do that

I'm sorry
We're crying
Don't feel bad
'Cause we didn't do that

Black and blues
And yellows, too
Will fade the same
As embers do
We'll wake up tomorrow
And feel new

Black and blues
And yellows, too
Will fade the same
As embers do
Let's wake up tomorrow
And feel new

Black and blues
And yellows, too
Will fade the same
As embers do
Wake up tomorrow
And feel new

Chris Garneau

Chris Garneau entered the New York music scene in 2006 with his debut album Music for Tourists, first released on Absolutely Kosher Records. He was brought to the label by Jamie Stewart and Caralee McElroy of Xiu Xiu. The album was later released in Europe and Asia. Vincent Moon shot Garneau in his Take-Away Show series which earned the singer-songwriter worldwide visibility, and special attention in France where the session was shot.

Garneau later released C-Sides EP (2007), El Radio LP (2009), and Winter Games LP (2013) on various labels in North America, Europe, China, Japan, South Korea, and Brazil — markets where he has toured extensively and shared the stage with Xiu Xiu, Jose Gonzalez, Keren Ann, My Brightest Diamond, Joan as Policewoman, Camera Obscura, among many others. Garneau opened for Charlotte Gainsbourg at the Montreux Jazz Festival in 2010.

He has also landed over 30 synch placements for film, television, and advertising (including Grey’s Anatomy, Private Practice, Dream Corp LLC, and others). His cover of Elliott Smith’s ‘Between the Bars’ was featured in Pedro Almodóvar’s ‘The Skin I Live In’.