Producer: Duncan Sheik

Like the touch of my mother's hand on my head
I'll miss you, too, when I go to bed
We've ruined all the new pots
And the metal in the egg crate cots
But we haven't missed a good day of television yet so far
No we haven't missed a good day of television yet so far

The dishwasher's on now
Cleaning, somehow
The baby bits of Hamburger Helper that dried too soon
We leave out the milk and it rots
And the mayonnaise that we got from Tops
But we haven't missed a day of eating good food yet so far
But we haven't missed a day of eating good food yet so far

You love good
But I think you should
Go home, honey
'Cause we haven't got any money

You love good
But I think you should
Go home, honey
'Cause we haven't got any money

Like the touch of my mother's hand on my head
I'll miss you, too, when I go to bed
We've ruined all the new pots
And the metal in the egg crate cots
But we haven't missed a good day of television yet so far
No we haven't missed a good day of television yet so far

Chris Garneau

Chris Garneau entered the New York music scene in 2006 with his debut album Music for Tourists, first released on Absolutely Kosher Records. He was brought to the label by Jamie Stewart and Caralee McElroy of Xiu Xiu. The album was later released in Europe and Asia. Vincent Moon shot Garneau in his Take-Away Show series which earned the singer-songwriter worldwide visibility, and special attention in France where the session was shot.

Garneau later released C-Sides EP (2007), El Radio LP (2009), and Winter Games LP (2013) on various labels in North America, Europe, China, Japan, South Korea, and Brazil — markets where he has toured extensively and shared the stage with Xiu Xiu, Jose Gonzalez, Keren Ann, My Brightest Diamond, Joan as Policewoman, Camera Obscura, among many others. Garneau opened for Charlotte Gainsbourg at the Montreux Jazz Festival in 2010.

He has also landed over 30 synch placements for film, television, and advertising (including Grey’s Anatomy, Private Practice, Dream Corp LLC, and others). His cover of Elliott Smith’s ‘Between the Bars’ was featured in Pedro Almodóvar’s ‘The Skin I Live In’.