You don't give out, you don't give in
You never seem to be attracted to the sin
The sin of love, the sin of all above
I give you my advice, it can be nice
I know you can't solve the problems of the world
But you don't have to be a precious little toy
Do something, do something

I'll wait a day, I'll wait a week
And I don't just wanna be dancing cheek to cheek
It's serious, this thing I need to do
Win or lose, it's all up to you

I can't believe that you could let me go this far
It can't be natural to be the way you are
Do something, do something

I've got this weakness, I'm losing power
I need your sweetness right here and now yeah
Deeper and deeper, hour after hour
I should be ruling but I'm not satisfied no, no

Not satisfied, I'm not satisfied
When I'm alone, can't do it on the phone
Won't let you go until I get just what I need
My heart is breaking oh baby baby please
Do something do something baby baby okay
Come on come on come on do something
Get down on your knees and do something
Oh baby, please, do something

Tina Turner

Often dubbed the Queen of Rock & Roll, Tina Turner is arguably among the most iconic of female divas in history, with her prolific career and memorable personality as a performer and a public figure. Hailing from a small town in Tennessee, and born Anna Mae Bullock, Turner has cemented herself as one of music’s greatest entertainers.

Turner’s career in music arose from her frequenting of nightclubs near St. Louis, where she would meet her soon-to-be husband Ike Turner, who would also give her the alias “Tina”. With Ike, she would form the famous Ike And Tina Turner Revue. A dynamic, explosive R&B ensemble, the two became the definition of the genre in the late 60s and early 70s, where R&B/Soul had only tiptoed into the realms of the mainstream. A particularly influential act in popularizing the genre, the Revue went on to release some of music’s most memorable and iconic tracks – a cover of Creedence Clearwater Revival’s “Proud Mary”, the Phil Spector-penned “River Deep – Mountain High”, and the electric “Nutbush City Limits”. After a host of drug and abuse problems on Ike’s part, with the male Turner eventually engaging in a violent altercation with his wife, Tina decided to leave her husband for the solo life – and it worked.

As a solo artist, with the help of fellow artists like glam rocker David Bowie, Turner tumbled into mainstream success in the 80s with the only number-one hit of her career – the unconquerable love ballad “What’s Love Got To Do With It” as part of her debut solo album, Private Dancer.