You're so crude
But you're so nice
A boy like you could use some advice

You're so cruel
But you're so sweet
The way you're lookin'
When you're lookin' at me

Well, I'm keeping my thoughts to myself
And with what I'm thinkin'
You know it's just as well

I'm a lady
You can't go messin' around with my heart
I'm a lady
Now you need love
Cause your sweet talk
Won't do a thing for me
I prefer my man sugar free
I'm a lady

You're standing too close to me
A sure sign of immaturity
Young man you shouldn't be so bold
And exercise a little self-control

Uh, remember that we just met
You need to learn to walk
Before you jump ahead

I'm a lady
You can't go messin' around with my heart
I'm a lady
And you're attractive
But you don't go saying things like that
You're tryin' to make me forget
I'm a lady

You should have no regrets
Though you lost out on me
And when your friends ask you who you met
You can tell them that she
That she
Was a lady
I'm a lady

I'm keepin' my thoughts to myself
And with what I'm thinkin'
Yeah well maybe it's just as well

Yeah
I'm a lady
I'm a lady

No your sweet talk won't do a thing for me
I prefer my man sugar free
I'm a lady
Oh, yeah

Tina Turner

Often dubbed the Queen of Rock & Roll, Tina Turner is arguably among the most iconic of female divas in history, with her prolific career and memorable personality as a performer and a public figure. Hailing from a small town in Tennessee, and born Anna Mae Bullock, Turner has cemented herself as one of music’s greatest entertainers.

Turner’s career in music arose from her frequenting of nightclubs near St. Louis, where she would meet her soon-to-be husband Ike Turner, who would also give her the alias “Tina”. With Ike, she would form the famous Ike And Tina Turner Revue. A dynamic, explosive R&B ensemble, the two became the definition of the genre in the late 60s and early 70s, where R&B/Soul had only tiptoed into the realms of the mainstream. A particularly influential act in popularizing the genre, the Revue went on to release some of music’s most memorable and iconic tracks – a cover of Creedence Clearwater Revival’s “Proud Mary”, the Phil Spector-penned “River Deep – Mountain High”, and the electric “Nutbush City Limits”. After a host of drug and abuse problems on Ike’s part, with the male Turner eventually engaging in a violent altercation with his wife, Tina decided to leave her husband for the solo life – and it worked.

As a solo artist, with the help of fellow artists like glam rocker David Bowie, Turner tumbled into mainstream success in the 80s with the only number-one hit of her career – the unconquerable love ballad “What’s Love Got To Do With It” as part of her debut solo album, Private Dancer.