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BreakdownGrace Jones

Songwriter: Tom Petty

Producer: Alex Sadkin Chris Blackwell

It's all right if you love me
It's all right if you don't
'Cause I'm not afraid of you running away honey
I get the feeling you won't

There's no sense in pretending
Your eyes give you away
Something inside you, is feeling like I do
We've said all there is to say

Breakdown, honey go ahead and give it to me
Breakdown, honey take me tonight
Breakdown, I'm standin' hear can't you see
Breakdown, it's all right, it's all right, it's all right

It's all right if you love me
It's all right if you don't
I'm not afraid of you running away honey
I get the feeling you won't

It's OK if you must go
I'll understand if you don't
You say goodbye right now
I'll still survive somehow
Why should we let this drag on?

Breakdown, honey go ahead and give it to me
Breakdown, honey take me tonight
Breakdown, I'm standin' hear can't you see
Breakdown, it's all right, it's all right, it's all right, baby

Breakdown, honey go ahead and give it to me
Breakdown, honey take me tonight
Breakdown, I'm standin' hear can't you see
Breakdown, it's all right, it's all right

Breakdown, honey go ahead and give it to me
Breakdown, honey take me to the night
Breakdown, I'm standin' hear can't you see
Breakdown, it's all right, it's all right

Breakdown. (To End)

Grace Jones

Bervely Grace Jones is a Jamaican model, singer, songwriter, record producer, and actress.

Grace started her career in the early 70s as a model. She worked with photographers such as Jean-Paul Goude, Helmut Newton, Guy Bourdin, and Hans Feurer, for fashion houses such as Yves St. Laurent and Kenzo, and appeared on the covers of Elle and Vogue. She became known for her distinctive androgynous appearance and bold features.

In 1977 Jones embarked on a music career, securing a record deal with Island Records and initially becoming a star of New York City’s Studio 54-centered disco scene. Her first album, Portfolio was released in September of that year, containing one of her greatest successes, her version of Edith Piaf’s “La vie en Rose”. In the 80s Grace reached the height of her career being, as pointed by Pitchfork, one of the early convergences of “fashion, art, and music”, influencing on the 1980s pop culture with albums like her iconic Nightclubbing (1981) and Slave to the Rhythm (1985), and her visual work with Jean-Paul Goude.

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