Korn

Released: April 7, 2008

Songwriter: Reginald “Fieldy” Arvizu Zac Baird Jonathan Davis Atticus Ross Leopold Ross James “Munky” Shaffer

Producer: Korn Atticus Ross

[Verse 1]
Some deny and search for things
That never come around
Do I feel like a fool?
The places I have ran to all my life
Have disappeared
And I owe this all to you
I'm feeling like I'm sinking
And nothing's there to catch me
Keep me breathing

[Chorus]
What do I have to do?
Why can't this hurt be through?
I'm going head onto
Something I know I will fail
Why can't this kiss be true?
Why won't you please let me through?
I don't understand
Why you always push me away

[Verse 2]
The last thing I would like to do
Before I go away
Is cry there next to you
Cry and talk about the good old days
And where they've gone
And now how much I hate you

[Chorus]
What do I have to do?
Why can't this hurt be through?
I'm going head onto
Something I know I will fail
Why can't this kiss be true?
Why won't you please let me through?
I don't understand
Why you always push me away

[Bridge]
I feel the blood drip off my body
As it falls right there on the ground
What am I now?
What am I now?
What am I now?

[Chorus]
What do I have to do?
Why can't this hurt be through?
I'm going head unto
Something I know I will fail
Why can't this kiss be true?
Why won't you please let me through?
I don't understand
Why you always push me away

[Outro]
Why you always push me away?
Why you always push me away?
Why you always push me away?
Why you always push me away?
Why you always push me away?
Why you always push me away?
Why you always push me away?
Why you always push me away?

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”

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