Korn

Released: June 11, 2002

Songwriter: Jonathan Davis James “Munky” Shaffer Brian “Head” Welch Reginald “Fieldy” Arvizu David Silveria

Producer: Michael Beinhorn

[Verse 1]
Are you ready for a good pounding, baby?
(Get down)
Are you ready to get it on?
(Get down, get down)
Don't pretend you're not fucking freaky, baby
(Get down)
I will spank that ass just for fun
(Get down on the ground)

[Pre-Chorus]
Ass up high
Make a motherfucker cry
It's so good that I could die
Help me stay alive

[Chorus]
The time is right
I wanna feel it good and tight
I'm down to do this all night
I'm gonna beat it upright

[Verse 2]
I'll behave, oh my God
Make me beg, my God

Yes, I'm ready for a good flogging, baby
(My God, get down)
Come on beat my ass just for fun
(Get down, my God, get down)
Don't let up till my ass is bleeding, baby
(My God, get down)
Don't let up until you are done
(Get down on the ground)

[Pre-Chorus]
Ass up high
Make a motherfucker cry
It's so good that I could die
Help me stay alive

[Chorus]
The time is right
I wanna feel it good an tight
I'm down to do this all night
I'm gonna beat it upright

[Bridge]
We're going on a ride
I'm gonna turn you inside out, upside down
Don't try to run and hide
Yes, it's true what they say about my kind

[Verse 3]
Are you ready for a good pounding, baby?
(Get down)
Are you ready to get it on?
(Get down, get down)
Don't pretend you're not fucking freaky, baby
(Get down)
I will spank that ass just for fun
(Get down on the ground)

[Pre-Chorus]
Ass up high
Make a motherfucker cry
It's so good that I could die
Help me stay alive

[Chorus]
The time is right
I wanna feel it good and tight
I'm down to do this all night
I'm gonna beat it upright

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”

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