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One More TimeKorn

Released: June 11, 2002

Songwriter: Jonathan Davis James “Munky” Shaffer Brian “Head” Welch Reginald “Fieldy” Arvizu David Silveria

Producer: Michael Beinhorn

[Verse 1]
Always just coming in here, starts the game
Why can't this puzzle be solved?
Each time it happens, it's always the same
I look down and then start to bawl

And all I see, it burns my eyes
Burning all inside

[Chorus]
Caught in the corners of my mind
Beginning over one more time
Taking me over
Taking all that's mine, one more time

[Verse 2]
Always this teasing, sometimes I lose faith
Where is my strength to hold on?
Facing existence, how can I relate?
Do I stand clear or move on?

And all I see, it burns my eyes
Burning all inside

[Chorus]
Caught in the corners of my mind
Beginning over one more time
Taking me over
Taking all that's mine, one more time

Caught in the corners of my mind
Beginning over one more time
Taking me over
Taking all that's mine, one more time

[Bridge]
Falling through this space in time
Buried in this hurt of mine
Falling slowly like a dream
Falling through a world unseen

Why can I not break this spell?
I'm in darkness, is this hell?
Falling towards this hole I see
This is how it has to be

[Chorus]
Caught in the corners of my mind
Beginning over one more time
Taking me over
Taking all that's mine, one more time

Caught in the corners of my mind
Beginning over one more time
Taking me over
Taking all that's mine, one more time

[Outro]
One more time
One more time

Korn

Bakersfield friends James “Munky” Shaffer, Reginald “Fieldy” Arvizu and David Silveria formed the funk-rock band LAPD in 1989 and moved to Los Angeles with another friend Brian “Head” Welch as their roadie. Later, with Welch as second guitarist, the band named themselves Creep and recorded a demo with pal Ross Robinson.

However, when Shaffer and Welch visited family in Bakersfield, they met Jonathan Davis who added a darker, goth-tinged edge to the band’s heavy groove. Robinson

The band wasn’t dark yet; it had, like, killer grooves and good riffs, but there was some happy edge to it. And when (Davis) walked into the room, it went dark and goth. Basically, during the first song, to audition in the rehearsal room, he started freaking the hell out [laughs]. You couldn’t hear his voice, but you felt chills all over your body, and it was instantly like, “Oh my God, yeah – he’s the one.”

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